photography of the Quabbin Region & beyond

Tundra Graphics

  • Home
  • Galleries
  • Blog
  • Bio
Home / Blog / 2026 / June

Share
June 14, 2026

DIY Digitization of DIY Clothing

Conservator Natalie Granados, Works With Fosshape Torso and DIY T-Shirtsfrom https://today.uconn.edu/2026/04/243538/, Sydney Herdle/UConn Photo

One of our unit's more engaging recent projects has involved staging, photographing, and producing 3D data from selections from the UConn Library’s Joe Snow Punk Rock Collection. In this case, our interest has been focused on pieces of clothing that represent important examples of the DIY ethos and aesthetic from the late 1970s through the late 2000s Connecticut punk and hardcore scene.

We don't often directly handle clothing in either the Conservation or Digital Imaging Labs. So, working with these original DIY garments required a fair amount of DIY staging and preparation across both shops.

Using a combination of Ethafoam museum figure elements and custom-made, self-supporting Fosshape torsos, Conservator Natalie Granados staged these pieces in ways that facilitated both safe handling and effective photogrammetric capture in the imaging lab. For this Incas Records hoodie, we employed our automated turntable system that we originally designed and built in-house with Michael Ulsaker back in 2018.

Incas Records Hoodie on Digital Imaging Lab's Automated Turntable

For this jumpsuit, we did rely on a not-so-DIY Ortery turntable for automated capture. But look at all of those self-made tripping hazards!

Epitome Jumpsuit on Ortery Turntable

To be serious, this arrangement was easy to set up and tear down in one session, thanks in large part to our recent lab expansion and renovation. With flexible floor partitions, generous swing space, and ample pull-down and wall-mounted power sources, the renovated lab allows custom shooting arrangements to be quickly fashioned around our normal production workstations.

Legacy Gear Parade: Regal/Arkay Monostand and Canon 6D Combo Rolled Out For Duty

Here’s a preview of the results of this collaborative conservation and imaging work...


The combination of black, deeply folded fabric and pure white figure elements in these two examples required careful postprocessing to preserve such wide dynamic range. By using controllable flash lighting, exposing the images slightly “to the right,” and keeping cameras at low ISO, we were able to produce good 16-bit raw files with enough low-noise data to recover detail from both extremes. This rich source data, in turn, laid the foundation for generating high-resolution 3D renderings of these variable garments without having to resort to complex multi-shot HDR workflows.

For more examples of our efforts in this area, follow us here with raw datasets to arrive here soon. Finally, special thanks to Archivist Graham Stinnett for his expertise, thoughtful selection of garments, and enthusiasm for novel avenues of collection access and interpretation. 

View all blog by month
  • Home
  • Galleries
  • Blog
  • Bio
© Michael J. Bennett